top of page

Philosophy of Music: Perspectives on Antiquity - 11-12/07/2019, Durham (England)


The two-day workshop ‘Philosophy of Music – Perspectives on Antiquity’ will take place from 11-12 July 2019 at Durham University (The Castle, Senate Suite). It brings together scholars specialising in ancient music with experts in (the history of) the philosophy of music. The aim is to create a platform for discussing how philosophers from the Early Modern period until the 21st century took their inspiration from, and in this process created their own ideas of, ancient Greek music and central concepts in ancient musical thought.


FECHA CONGRESO/CONGRESS DATE/DATA CONGRESSO: 11-12/07/2019

ORGANIZADOR/ORGANIZER/ORGANIZZATORE: Dr Myrthe L. Bartels

INFO: web - myrthe.l.bartels@durham.ac.uk

INSCRIPCIÓN/REGISTRATION/REGISTRAZIONE: gratis / free / gratuito

myrthe.l.bartels@durham.ac.uk

Fecha límites / deadline / scadenza: 26/06/2019

PROGRAMA/PROGRAM/PROGRAMMA:

Thursday, July 11th, 2019


1.30-1.45 pm Welcome, Myrthe Bartels & Andy Hamilton


SESSION 1: ANTIQUITY | Chair: Andy Hamilton (Durham University)


1.45-2.45 Tosca Lynch (University of Oxford): ‘The most beautiful harmony arises from conflicting elements’: Harmonia and the ‘Soul of the Whole’ in Plato’s Timaeus 2.45-3.45 David Creese (Newcastle University): Ptolemy on Well-Crafted Modulation and Musical Beauty


3.45-4.15 Coffee


SESSION 2: THEORIES OF MUSIC | Chair: tbc


4.15-5.15 Andy Hamilton (Durham University): The Acousmatic in Pythagoras, Pierre Schaeffer and Scruton 5.15-6.15 James O. Young (University of Victoria): Is the Ethos Theory of Music Right?


6.15-7.00 Reception, Senate Suite, Castle 7.00 Dinner


Friday, July 12th, 2019


9.30-10 am: Coffee


SESSION 3: RENAISSANCE | Chair: Hector Sequera-Mora (Durham University)


10-11 Jacomien Prins (Università Ca’ Foscari Venezia): Marin Mersenne on ‘Music as a Superior Language in which Spiritual Conceptions can be Expressed’ 11-12 Sinem Derya Kiliç (Humboldt-Universität zu Berlin): tbc


12-12.15 Coffee


SESSION 4: NIETZSCHE | Chair: tbc


12.15-1.15 Babette Babich (Fordham University): Nietzsche and the ‘Pure Musicality’ of the Dionysian: Archilochian Rhythms


1.15-2.15 Lunch, coffee

SESSION 5: MODERN | Chair: Myrthe Bartels (Durham University)


2.15-3.15 Max Paddison (Durham University): Mimēsis in Aristotle’s Poetics and its Reception in Adorno and Ricoeur


3.15 Closing remarks


categorías / tags / categorie

bottom of page